
Gone Girl: The Art of Misdirection Through Dual Narratives
David Fincher’s Gone Girl, adapted from Gillian Flynn’s best-selling novel, is a masterclass in narrative deception. What sets it apart in the thriller genre is its effective use of dual perspectives—Nick Dunne’s present-day viewpoint and Amy Dunne’s diary entries. This structure invites viewers to pick sides, question motives, and reevaluate the truth at every turn….